I was born on 27th day of the spring month of April 1980 ... in Madrid\'s La Paz Hospital. Since very young I began doing my first pencil and charcoal drawings, always juggled multiple hours of playing football with my friends, in the park below my house in Móstoles, from whose balcony used to poke my mother\'s voice for call me at lunchtime \"Fernando ... up!\" During the school years, in which I was a good student (although not very studious) EGB finished with an average rating of Outstanding, and it was here, where I took my first painting class. According to my age progressed, I became interested by technical drawing, reason why after my time after school and selectivity, I decided to join the University of Madrid to launch the career of Technical Architecture. In 2004, after delivering the relevant draft limit ... it was officially Technical Architect. Well!! Finally ... I got it!! and now ... Now begins the real world. Resumes, interviews, odd jobs ... until I started as an intern, curiously monitoring work processes of enlargement Thyssen Bornemisza Museum in Madrid, where I was fortunate to be able to admire the numerous works of art to be found there, and expand both my knowledge and enhance my vocation for paint. Later I worked in Project manager at an architectural firm interior until in 2005 I decided to embark on a new career as an entrepreneur, doing the same type of interior architectural work, designing office spaces with its corresponding implementation. I had (and I have ...) little time to do more things, but from then until now, I continue distributing free time between my family, sports and my biggest hobbies are music, by which I formed a band rock (now defunct) along with my friends called \"safe conduct\" and of course ... painting, I brings that state of freedom and tranquility necessary in these times in which no one knows how to wait. Although performed works of different styles, Abstract Art is where I found the best way to express emotions and feelings that I represent in my Works every time I get in front of a canvas.
I think of all trades, master of none perhaps, but in each and every one of the works that I do, I put the dream he had one child playing in the park, and her mother called from the balcony to climb to eat ...
F. Pavon.